2021 is a critical year for the planet. U.S. Climate Envoy, John Kerry, has described November's COP26 climate conference as our last chance to take action and save the planet. The disaster is already upon us, tangibly so in Nepal which is placed ninth in the Germanwatch Global Climate Index 2020 for most affected countries. The mean temperature in Nepal is increasing by 0.6o C per decade and the once snow-capped mountains are now turning brown.
The marginalised, impoverished rural communities that are living in Pipal Tree's target area, the south-eastern plains (Terai) of Province 2, are facing an imminent existential threat. The Himalayan glaciers to the north which feed the rivers that sustain the agriculture on the Terai are melting. Weather patterns are changing such that farmers have to contend with floods and drought that rice as a crop cannot tolerate. And natural disasters are on the increase. The Nepal floods of 2017 affected one third of the country, with the poorest areas worst-hit. 1.7 million people were affected, 461,000 forced from their homes and 143 people perished. We saw so many harrowing images, such as the one of a father consigning his dead baby's body to the flood waters, unable to conduct a cremation or burial.
As I see it, Pipal Tree needs to help with delivering its key message to the global conversation: All countries must take action now, nationally and as individuals, rather than confining the response to criticisms of other countries and the major polluters (even if valid). Everyone must take practical action, however small.
This year we will get our message across by combining a demonstration of what can be done in small-scale reforestation with a striking piece of public art, a mosaic mural entitled "Nepal's Guernica". The focus of the project will be a vacant and neglected public space, Tirhutiya Gachhi Park, in the centre of Province 2's capital, Janakpur.
Centuries ago, Tirhutiya Gachhi Park was wooded (Gachhi is the word for "tree" in the local Maithili language) but in the eighteenth century it was the base camp and a training ground for the local Tirhut army. This army had successfully resisted the attempts of the first king of Nepal (Prithvi Narayan Shah) to unite the nation under his rule by conquest. King Prithvi lost the battles but won the war through a strategic marriage to a local Tirhut princess. This allowed him to take political control, kill his new father-in-law and dissolve the army that had foiled all his ambitious plans. But the legacy of the Tirhut army's resistance remains to this day, preserved in Maithili folklore and acting as an inspiration to local politicians who still have to fight their corner against the disinterest of central government.
The park has enormous potential for tourism, especially given that Janakpur is already a pilgrimage site for hundreds of thousands of Hindus from across the region. Accordingly, local authorities have drawn up plans to develop Tirhutiya Gachhi Park (see right), but these remain funding dependent. However, our local partner NGO, Mithila Wildlife Trust (MWT) has gained consent to plant 900m2 of land inside the boundary wall using the Miyawaki Method. The Method, being used for the first time in Nepal, is a powerful technique, scientifically grounded and perfectly suited to small scale projects that cumulatively can have a major impact. It is primarily of value in urban environments and is most suitable to create dense tiny forests in the area of a tennis court (approximately 250m2). As a simplification, it offers 10:20:30 advantages:
- It grows ten times faster - a mature forest develops in 20 years rather than in 200 years
- It is twenty times more biodiverse
- It absorbs thirty times the CO2 of a conventional forest
This is just the kind of return on investment that we need in the midst of an emergency. The reforestation aspect will involve fencing off a perimeter strip and planting 3,936 native plants (just over four per square metre). Once this has been completed, we have the option of developing a further 1,052m2 within the main site, the section on the right of the above plans. Beyond that, we would try to cover as much of the remaining area as we can with trees as well, striking a balance between nature and cultural/historical interests. Much of the planting work will be done by local school children and student volunteers to raise awareness about the environment and keep costs down. We will also save on expenditure by using saplings donated by Nepal's Department of Forestry.
Our mosaic mural will be designed to be beautiful but also profoundly shocking. We will design a piece that conveys the horror of environmental disaster, commemorating those who perished in the 2017 floods, in the style and scale of "Guernica". This will represent a fusion of three artistic styles; cubism, mosaic and the distinctive, indigenous two-dimensional "Maithili" art of south Nepal. In a direct link with the past, we are thrilled to have secured the artistic services of Picasso's Muse, "Sylvette", who is better known as the accomplished artist Lydia David, and her artist daughter, Isabel Coulton. I will coordinate their inputs with the artistry of young local women who delight in painting in the Maithili style. The mosaic itself will be constructed and assembled by deaf artists whom I trained in an earlier mosaic mural in a different part of Nepal about ten years ago.
Advocacy and engagement with children and young people
I am expecting this project to attract huge media attention nationally and internationally. That is critical to amplifying the impact of our project. Pipal Tree will be partnered with a cutting-edge British film production company, Marmalade Productions, who will engage with local young people (18-24) to produce a subtitled film specific to Nepal in the style of "An Inconvenient Truth" that can be shown on national media and on digital platforms. In parallel consultancy, Marmalade Productions will coach school children in how to produce hard-hitting subtitled films of less than one minute on the theme of #doyourhomework. In a disruptive approach, children will tell adults to do their homework, as they share key facts about climate change in Nepal for use on social and broadcast media. This will be linked to workshops on presentational and speaking skills that will allow us to develop the young activists of the future.
Finally, the culmination of the collaboration will be the first-ever Nepal Youth Climate Fest to be held at the Park on the 24th/25th September this year that will involve a series of activities including
- Live music
- Street theatre with appropriate messages
- Unveiling of artwork
- Presentation of the reforestation work
- Speeches by children and young people (rather than by senior politicians).
The Nepal Youth Climate Fest can be live-streamed on social media and act as an input to the Youth4Climate Summit in Milan in the following week (this being a precursor to COP26). During the event we will seek to reach our target of 600,000 signatures to an online petition from People Alliance Nature Nepal (PANN) for the protection and restoration of the virgin Nijgadh forest in east Nepal, one signature for every tree that stands to be destroyed for an additional international airport that Nepal (and the world) doesn't need. This petition can launch immediately and remain open until its high-profile presentation coinciding with the COP26 conference.
An exciting and challenging year lies ahead!